Object

Title: 
Berkasovo Roman helmet
English
Description: 
Found in Berkasovo, Serbia, 1955. One of the most preserved examples of Roman army equipment.
Type of cultural artefact: 
Object
Formats of digital document: 
Video
Images: 
Name of the original: 
Римски шлем из Беркасова
Place of the location: 
Berkasovo
Serbia
45° 9' 9.0216" N, 19° 15' 24.2784" E
See map: Google Maps
Institution: 
Museum of Vojvodina
Period: 
Army
Title: 
Set of dishes
English
Description: 
Set of Tin-glazed pottery toilet vessels, decorated with subtle floral motifs, consisting of basin, water jugs, pots and saucers for soap. They were the usual items of every bedroom, and in them you can see the reflection of a higher level of hygiene of wider layers of the urban population of the second half of the 19th century.
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Material: 
Ceramics
Type of cultural artefact: 
Object
Formats of digital document: 
Image
Images: 
Власник записа: 
srdjan.veselinov
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
The City Museum of Novi Sad
Title: 
The Wall clock
English
Description: 
The wall clock in the glassed box has a painted dial, pendulum and weight, made in alt deutsch style. The gilded floral details in relief and painted sentimetnal scenes are quite in line with the taste of the suburban middle where such items were very popular and massively used.
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Style: 
alt Deutsche
Material: 
Wood
Type of cultural artefact: 
Object
Formats of digital document: 
Image
Images: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
The City Museum of Novi Sad
Title: 
Furniture
English
Description: 
Furniture in the so-called Alt Deutch style was very popular with middle wealthy bourgeois class and the enriched rural population from the vicinity of large cities. It is a style that has spread from Germany in the second half of the 19th century as a historicist copy of the German Renaissance furniture, and was produced in Vojvodina until the third decade of the 20th century. It was drafted typicaly, with hand-made ​​details and was much cheaper than the classicaly drafted furniture. The furniture exposed here has the usual form; Parlour furniture consists of sofa, 4 chairs and a table, a bedroom consists of a pair of beds, cabinets and closets, as well as "vaštiš" - sink with a marble slab.
State of origin of the cult. artefact: 
Serbia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Style: 
alt Deutsche
Material: 
Wood
Type of cultural artefact: 
Object
Formats of digital document: 
Image
Images: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
The City Museum of Novi Sad
Title: 
Church Textile
English
Description: 
In the Armenian Church, prior to its demolition, about 100 copies of various church textiles were found. Their shape and purpose correspond to the Roman Catholic church ceremony, which was in line with the religious orientation of Novi Sad Armenians and their priests from among mekhitarists. The largest part of the surviving textile was produced in Vienna's professional manufactory, specializing in making of ecclesiastical trappings. Exhibit is part of the exhibition "Armenian Church in Novi Sad - deleted heritage," by the author Ljiljana Lazic, art historian and museum counselor.
Place of origin of the cult. artefact: 
Vienna
State of origin of the cult. artefact: 
Austria
History: 
In October 1963, in Novi Sad, church of St. George the Illuminator was demolished, popularly called the Armenian Church. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve it. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished in Novi Sad. Demolition of the Armenian church is a an indelible error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban matrix that was established in the early 18th century, has been sacrificed to modern architecture and the new junction. In the clash of old and new, the church was described as "worthless architectural work," whose existence is not necessary. Generations citizens of Novi Sad are so deprived of part of the heritage, unique in its cultural, religious and architectural significance. An extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition and the life last years of the existence of the Armenian Church and its small community has survived. Part of the precious legacy of the church is now housed in the Museum of the City of Novi Sad and, after half a century, testifies to the former appearance of the Church of Sv. George the Illuminator.
Copyright: 
City Museum of Novi Sad
Date of records creation : 
Wednesday, October 29, 2014
Creator: 
Srdjan Veselinov
Material: 
Textiles
Type of cultural artefact: 
Object
Formats of digital document: 
Image
Images: 
Власник записа: 
srdjan.veselinov
Year of creation: 
1890
Name of the original: 
Црквени текстил
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
The City Museum of Novi Sad
Period: 
Craftsman
Title: 
The Battle Of Kosovo
English
Author: 
Mladen Josic
Description: 
By dimensions greatest work in the art collection of the Museum of the City of Novi Sad, "Battle of Kosovo", was created in Novi Sad in 1929. One of the most respected Serbian inter-war painters, Mladen Josic, made this monumental historical composition by order of the Novi Sad-known family Moc, from which the act was purchased. The painting shows the most obvious strong muscle men and horses which indicate the structural style of Neoclassicism and traditionalism, popular in Serbian art in the third decade of the 20th century. The painting is part of a study of the Department of Cultural History, the Museum of the City of Novi Sad, where the civic life of Novi Sad from the 18th century until the second half of the twentieth century was introduced.
State of origin of the cult. artefact: 
Serbia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic.
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Technique: 
Oil on canvas
Type of cultural artefact: 
Object
Formats of digital document: 
Image
Images: 
Власник записа: 
srdjan.veselinov
Year of creation: 
1929
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
The City Museum of Novi Sad
Period: 
Painting
Title: 
The bells of Maria Trandafil
English
Description: 
Thanks to Maria Trandafil, in 1872 three bells were cast for renewed Armenian church. Made in Wiener Neustadt, Austria's most famous bell foundry in the second half of the 19th century. On the largest bell (diameter 65 cm and weight of 250 kg), in bas-relief, figures of Maria Magdalene, St. Catherine and Mary were molded. Stylized floral friezes decorate the top and bottom of the bell.
State of origin of the cult. artefact: 
Austria
History: 
In October 1963, in Novi Sad, St.George the Enlightener, popularly called the Armenian Church was demolished. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished from Novi Sad. Demolition of the Armenian Church is a non-volatile error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban pattern was established in the early 18th century, has been sacrificed to the modern architecture and the new junction. In the clash of old and new, the church has been characterized as a "worthless piece of architecture," whose existence is not necessary. Generations of citizens of Novi Sad were also deprived of a part of heritage, unique in its cultural, religious and architectural significance. Of the life and last years of the existence of the Armenian Church and its small community extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition, remained preserved. Part of the precious legacy of the church is now kept in the Museum of the City of Novi Sad, and, after half a century, testifies to the former appearance of the Church of St.. George the Enlightener.
Copyright: 
City Museum of Novi Sad
Material: 
Metal
Type of cultural artefact: 
Object
Formats of digital document: 
Image
Images: 
Year of creation: 
1872
Name of the original: 
Звона Марије Трандафил
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
The City Museum of Novi Sad
Period: 
Craftsman
Title: 
Decorative cover
English
Author: 
Dragutin Medenjak Inkiostri
Description: 
Decorative cover, which had once belonged to the Moc family of Novi Sad, is a work by Dragutin Inkiostri Medenjak, the most important representative the Secession movement in Serbian fine and applied art. Combining international Art Nouveau in wood carving and folk motifs in woven canvas, he created a highly original piece of furniture, very popular in the civil houses.
State of origin of the cult. artefact: 
Serbia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic.
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Style: 
Secession
Material: 
Wood
Type of cultural artefact: 
Object
Formats of digital document: 
Image
Images: 
Власник записа: 
srdjan.veselinov
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
The City Museum of Novi Sad
Title: 
Wall mirror
English
Description: 
Lavishly wall mirror is made in the style of the second rococo, most likely in a Czech shop. On the wide frame with curved lines, numerous flakes of colorless cut glass were applied and flat glass panels of the mirror were engraved with rococo cartouche. This extremely luxurious item could be found in the wealthy aristocratic civil households in Vojvodina.
State of origin of the cult. artefact: 
Czech Republic
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic.
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Style: 
Rococo
Material: 
Metal
Type of cultural artefact: 
Object
Formats of digital document: 
Image
Images: 
Власник записа: 
srdjan.veselinov
Name of the original: 
Зидно огледало
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
The City Museum of Novi Sad
Title: 
Sugar bowl
English
Description: 
This ​​silver sugar bowl with lid was made in one of german manufactories. It belongs to the period of late historicism, with elegant moldings indicating the neoclassical models. These bowls were usually part of a larger service for tea and coffee.
State of origin of the cult. artefact: 
Germany
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic.
Copyright: 
City Museum of Novi Sad
Epoch: 
Historicism
Material: 
Metal
Type of cultural artefact: 
Object
Formats of digital document: 
Image
Images: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
The City Museum of Novi Sad

Pages

Subscribe to RSS - Object