Oil on canvas

Title: 
Armenian Church with its surroundings
English
Description: 
In the writings of Djordje Tabaković, the most important fine arts chronologist of the city during the mid-20th century, the Armenian Church has also found its place. On his iconic cityscapes, made with various fine art techniques, the temple was shown four times. From almost the same angle as Šerban two decades earlier, and with architectural precision, Tabakovic 1948 painted the church and parish center and two-storey houses that existed in the former Tsar Lazar Street. Image is part of the exhibition "Armenian Church in Novi Sad - deleted heritage," the authors Ljiljana Lazic, art historians and museum counselor.
Place of origin of the cult. artefact: 
Novi Sad
State of origin of the cult. artefact: 
Serbia
History: 
In October 1963, in Novi Sad, church of St. George the Illuminator was demolished, popularly called the Armenian Church. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve it. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished in Novi Sad. Demolition of the Armenian church is a an indelible error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban matrix that was established in the early 18th century, has been sacrificed to modern architecture and the new junction. In the clash of old and new, the church was described as "worthless architectural work," whose existence is not necessary. Generations citizens of Novi Sad are so deprived of part of the heritage, unique in its cultural, religious and architectural significance. An extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition and the life last years of the existence of the Armenian Church and its small community has survived. Part of the precious legacy of the church is now housed in the Museum of the City of Novi Sad and, after half a century, testifies to the former appearance of the Church of Sv. George the Illuminator.
Copyright: 
City Museum of Novi Sad
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1948
Name of the original: 
Јерменска црква са околином
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Period: 
Title: 
Armenian Church
English
Description: 
A small Serban's oil on canvas was created in 1928, during the training of the young painter in Paris. In the break between two stays in France, he has applied the recently adopted cubist style of painting, while creating the Armenian Church and its surroundings painting. From unrepresentative angle, side street of Tsar Lazar, he presented the Armenian complex from the rear side. Image is part of the exhibition "Armenian Church in Novi Sad - deleted heritage," by the author Ljiljana Lazic, art historian and museum counselor.
Place of origin of the cult. artefact: 
Paris
State of origin of the cult. artefact: 
France
History: 
In October 1963, in Novi Sad, church of St. George the Illuminator was demolished, popularly called the Armenian Church. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve it. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished in Novi Sad. Demolition of the Armenian church is a an indelible error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban matrix that was established in the early 18th century, has been sacrificed to modern architecture and the new junction. In the clash of old and new, the church was described as "worthless architectural work," whose existence is not necessary. Generations citizens of Novi Sad are so deprived of part of the heritage, unique in its cultural, religious and architectural significance. An extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition and the life last years of the existence of the Armenian Church and its small community has survived. Part of the precious legacy of the church is now housed in the Museum of the City of Novi Sad and, after half a century, testifies to the former appearance of the Church of Sv. George the Illuminator.
Copyright: 
City Museum of Novi Sad
Epoch: 
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1928
Name of the original: 
Јерменска црква
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Period: 
Title: 
Portrait of Lidija Sidnjenko
English
Description: 
Portrait of Lidija Sidnjenko. Part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević
History: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević. October Revolution of 1917 started a civil war in Russia, which has led to deaths and emigration of large numbers of people. After the civil war and the defeat of the White Army units, over two million people left their homeland. It was the largest political emigration in the 20th century. The largest number of Russian refugees arrived in the Kingdom of SHS after leaving the southern region of Russia. Most of the refugees started their exile from major Black Sea ports of Odessa, Novorusijsk, Feodosia, Sevastopol, Kerch. From 1919 to 1923, in five immigration waves over Istanbul, Gallipoli and Salonika in the Kingdom has been about 40,000 Russians. Nearly one-fifth of refugees (about 8,000) has found its refuge in the towns and cities of Backa, Banat, Baranja, and Srem. Among Russian refugees in the Kingdom of Serbs, along the soldiers and officers, a part of the Russian intellectual elite and aristocracy with broad education also arrived. A number of secondary military schools - cadet corps girl's Institutes were evacuated from Russia into the Kingdom of SHS. The first Russian colonies in Vojvodina were established in Zemun and Pancevo, then in Novi Sad, Subotica, Great Beckerek, Sombor, Vršac and Bela Crkva. In 1921 the Russian refugees were deployed in more than 80 villages and towns of Srem, Banat, Backa and Baranja. Rural areas were inhabited by the Cossacks, organized into cells. Within the colonies, kindergartens, primary and secondary schools, libraries, and numerous other Russian institutions were established. Of particular importance was the constitution of the Russian Orthodox Church Abroad in Sremski Karlovci. Through the activities of the above institutions spiritual connection of refugee Russians with their homeland cherished. A significant number of Russian intellectuals filled a major gap in culture, education, science and economy of the newly formed Kingdom of Serbs.
Copyright: 
Museum of Vojvodina
Date of records creation : 
Wednesday, October 29, 2014
Creator: 
Srdjan Veselinov
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Власник записа: 
srdjan.veselinov
Name of the original: 
Портрет Лидије Сидњенко
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
Period: 
Title: 
Portrait of emigrant Kokorev
English
Description: 
Portrait of emigrant Kokorev, unknown author. Part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević
History: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević. October Revolution of 1917 started a civil war in Russia, which has led to deaths and emigration of large numbers of people. After the civil war and the defeat of the White Army units, over two million people left their homeland. It was the largest political emigration in the 20th century. The largest number of Russian refugees arrived in the Kingdom of SHS after leaving the southern region of Russia. Most of the refugees started their exile from major Black Sea ports of Odessa, Novorusijsk, Feodosia, Sevastopol, Kerch. From 1919 to 1923, in five immigration waves over Istanbul, Gallipoli and Salonika in the Kingdom has been about 40,000 Russians. Nearly one-fifth of refugees (about 8,000) has found its refuge in the towns and cities of Backa, Banat, Baranja, and Srem. Among Russian refugees in the Kingdom of Serbs, along the soldiers and officers, a part of the Russian intellectual elite and aristocracy with broad education also arrived. A number of secondary military schools - cadet corps girl's Institutes were evacuated from Russia into the Kingdom of SHS. The first Russian colonies in Vojvodina were established in Zemun and Pancevo, then in Novi Sad, Subotica, Great Beckerek, Sombor, Vršac and Bela Crkva. In 1921 the Russian refugees were deployed in more than 80 villages and towns of Srem, Banat, Backa and Baranja. Rural areas were inhabited by the Cossacks, organized into cells. Within the colonies, kindergartens, primary and secondary schools, libraries, and numerous other Russian institutions were established. Of particular importance was the constitution of the Russian Orthodox Church Abroad in Sremski Karlovci. Through the activities of the above institutions spiritual connection of refugee Russians with their homeland cherished. A significant number of Russian intellectuals filled a major gap in culture, education, science and economy of the newly formed Kingdom of Serbs.
Copyright: 
Museum of Vojvodina
Creator: 
Srdjan Veselinov
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Власник записа: 
srdjan.veselinov
Year of creation: 
1930
Name of the original: 
Портрет емигранта Кокорева
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
Period: 
Title: 
Self Portrait of Milenko Serban
English
Description: 
Milenko Serban, one of the most famous Novi Sad painters of the 20th century, painted himself at the age of 20 years. He studied painting with Vasa Eškićević, and in Paris with André Lhote, through whose studio many Serbian painters of that period had passed. He exhibited a lot in Novi Sad, with significant work as a set designer in the Serbian National Theatre in Novi Sad, and later at the National Theatre in Belgrade. The painting is part of a study exibition of the Department of Cultural History, in the City Museum of Novi Sad. The civic life of Novi Sad from the 18th century until the second half of the twentieth century is presented in that exibition.
History: 
Part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Власник записа: 
srdjan.veselinov
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Period: 
Title: 
Branjevina Salas
English
Description: 
The painting "Branjevina Farm" by Sava Šumanović, was created in 1935, reached City Museum of Novi Sad within legacies of prof. Desanka Kostic, sister of this famous Serbian painter. Presented salas farm is located near Sid, birthplace of Sava Šumanović, painted after his return to his homeland, when Sava became fully devoted to painting the surrounding landscape. An interesting fact is that this painting was exhibited in 1939 in Belgrade, on one of the few exhibitions prepared during the life of this talented artist.The painting is part of a study exibition of the Department of Cultural History, in the City Museum of Novi Sad. The civic life of Novi Sad from the 18th century until the second half of the twentieth century is presented in that exibition.
State of origin of the cult. artefact: 
Serbia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic.
Copyright: 
City Museum of Novi Sad
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1935
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
The Battle Of Kosovo
English
Author: 
Description: 
By dimensions greatest work in the art collection of the Museum of the City of Novi Sad, "Battle of Kosovo", was created in Novi Sad in 1929. One of the most respected Serbian inter-war painters, Mladen Josic, made this monumental historical composition by order of the Novi Sad-known family Moc, from which the act was purchased. The painting shows the most obvious strong muscle men and horses which indicate the structural style of Neoclassicism and traditionalism, popular in Serbian art in the third decade of the 20th century. The painting is part of a study of the Department of Cultural History, the Museum of the City of Novi Sad, where the civic life of Novi Sad from the 18th century until the second half of the twentieth century was introduced.
State of origin of the cult. artefact: 
Serbia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic.
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Власник записа: 
srdjan.veselinov
Year of creation: 
1929
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Period: 
Title: 
St. George the Illuminator
English
Author: 
Description: 
Main altar painting in Armenian church was made by Hugo Jekel, painter form Vienna. On painting is St. Gregory the Illuminator, the most important armenian national saint. Painting is a part of exhibition "Armenian church in Novi Sad - lost heritage", author Ljiljane Lazić, Historian of art and museum counselor.
History: 
In October 1963, in Novi Sad, church of St. George the Illuminator was demolished, popularly called the Armenian Church. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve it. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished in Novi Sad. Demolition of the Armenian church is a an indelible error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban matrix that was established in the early 18th century, has been sacrificed to modern architecture and the new junction. In the clash of old and new, the church was described as "worthless architectural work," whose existence is not necessary. Generations citizens of Novi Sad are so deprived of part of the heritage, unique in its cultural, religious and architectural significance. An extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition and the life last years of the existence of the Armenian Church and its small community has survived. Part of the precious legacy of the church is now housed in the Museum of the City of Novi Sad and, after half a century, testifies to the former appearance of the Church of Sv. George the Illuminator.
Copyright: 
City Museum of Novi Sad
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1896
Name of the original: 
Sv. Georgije Prosvetitelj
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Period: 
Title: 
Ohrid motive
English
Description: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević.
State of origin of the cult. artefact: 
Serbia
History: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević. October Revolution of 1917 started a civil war in Russia, which has led to deaths and emigration of large numbers of people. After the civil war and the defeat of the White Army units, over two million people left their homeland. It was the largest political emigration in the 20th century. The largest number of Russian refugees arrived in the Kingdom of SHS after leaving the southern region of Russia. Most of the refugees started their exile from major Black Sea ports of Odessa, Novorusijsk, Feodosia, Sevastopol, Kerch. From 1919 to 1923, in five immigration waves over Istanbul, Gallipoli and Salonika in the Kingdom has been about 40,000 Russians. Nearly one-fifth of refugees (about 8,000) has found its refuge in the towns and cities of Backa, Banat, Baranja, and Srem. Among Russian refugees in the Kingdom of Serbs, along the soldiers and officers, a part of the Russian intellectual elite and aristocracy with broad education also arrived. A number of secondary military schools - cadet corps girl's Institutes were evacuated from Russia into the Kingdom of SHS. The first Russian colonies in Vojvodina were established in Zemun and Pancevo, then in Novi Sad, Subotica, Great Beckerek, Sombor, Vršac and Bela Crkva. In 1921 the Russian refugees were deployed in more than 80 villages and towns of Srem, Banat, Backa and Baranja. Rural areas were inhabited by the Cossacks, organized into cells. Within the colonies, kindergartens, primary and secondary schools, libraries, and numerous other Russian institutions were established. Of particular importance was the constitution of the Russian Orthodox Church Abroad in Sremski Karlovci. Through the activities of the above institutions spiritual connection of refugee Russians with their homeland cherished. A significant number of Russian intellectuals filled a major gap in culture, education, science and economy of the newly formed Kingdom of Serbs.
Copyright: 
Museum of Vojvodina
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1930
Name of the original: 
Ohridski motiv
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Institution: 
Period: 
Title: 
Cossacks in onslaught
English
Description: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević.
State of origin of the cult. artefact: 
Serbia
History: 
The work is part of the exhibition "White Russia" in Museum of Vojvodina, by senior curator Veselinka Markovic and Aleksandar Petijević. October Revolution of 1917 started a civil war in Russia, which has led to deaths and emigration of large numbers of people. After the civil war and the defeat of the White Army units, over two million people left their homeland. It was the largest political emigration in the 20th century. The largest number of Russian refugees arrived in the Kingdom of SHS after leaving the southern region of Russia. Most of the refugees started their exile from major Black Sea ports of Odessa, Novorusijsk, Feodosia, Sevastopol, Kerch. From 1919 to 1923, in five immigration waves over Istanbul, Gallipoli and Salonika in the Kingdom has been about 40,000 Russians. Nearly one-fifth of refugees (about 8,000) has found its refuge in the towns and cities of Backa, Banat, Baranja, and Srem. Among Russian refugees in the Kingdom of Serbs, along the soldiers and officers, a part of the Russian intellectual elite and aristocracy with broad education also arrived. A number of secondary military schools - cadet corps girl's Institutes were evacuated from Russia into the Kingdom of SHS. The first Russian colonies in Vojvodina were established in Zemun and Pancevo, then in Novi Sad, Subotica, Great Beckerek, Sombor, Vršac and Bela Crkva. In 1921 the Russian refugees were deployed in more than 80 villages and towns of Srem, Banat, Backa and Baranja. Rural areas were inhabited by the Cossacks, organized into cells. Within the colonies, kindergartens, primary and secondary schools, libraries, and numerous other Russian institutions were established. Of particular importance was the constitution of the Russian Orthodox Church Abroad in Sremski Karlovci. Through the activities of the above institutions spiritual connection of refugee Russians with their homeland cherished. A significant number of Russian intellectuals filled a major gap in culture, education, science and economy of the newly formed Kingdom of Serbs.
Copyright: 
Museum of Vojvodina
Technique: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1930
Name of the original: 
Kozaci u juriš
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Srbija
Institution: 
Period: 

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