Metal

Title: 
The bells of Maria Trandafil
English
Description: 
Thanks to Maria Trandafil, in 1872 three bells were cast for renewed Armenian church. Made in Wiener Neustadt, Austria's most famous bell foundry in the second half of the 19th century. On the largest bell (diameter 65 cm and weight of 250 kg), in bas-relief, figures of Maria Magdalene, St. Catherine and Mary were molded. Stylized floral friezes decorate the top and bottom of the bell.
State of origin of the cult. artefact: 
Austria
History: 
In October 1963, in Novi Sad, St.George the Enlightener, popularly called the Armenian Church was demolished. For more than two centuries, this temple has witnessed the efforts of its believers and priests to build, maintain, restore and preserve. Unfortunately, in the decades after World War II, it shared the fate of the Armenians vanished from Novi Sad. Demolition of the Armenian Church is a non-volatile error in the post-war urban planning of Novi Sad. Part of the old center of the city, whose urban pattern was established in the early 18th century, has been sacrificed to the modern architecture and the new junction. In the clash of old and new, the church has been characterized as a "worthless piece of architecture," whose existence is not necessary. Generations of citizens of Novi Sad were also deprived of a part of heritage, unique in its cultural, religious and architectural significance. Of the life and last years of the existence of the Armenian Church and its small community extensive archival, documentary and photographic material, which reveals all the circumstances that led to the tragic and unnecessary demolition, remained preserved. Part of the precious legacy of the church is now kept in the Museum of the City of Novi Sad, and, after half a century, testifies to the former appearance of the Church of St.. George the Enlightener.
Copyright: 
City Museum of Novi Sad
Material: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1872
Name of the original: 
Звона Марије Трандафил
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Period: 
Title: 
Wall mirror
English
Description: 
Lavishly wall mirror is made in the style of the second rococo, most likely in a Czech shop. On the wide frame with curved lines, numerous flakes of colorless cut glass were applied and flat glass panels of the mirror were engraved with rococo cartouche. This extremely luxurious item could be found in the wealthy aristocratic civil households in Vojvodina.
State of origin of the cult. artefact: 
Czech Republic
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic.
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Style: 
Material: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Власник записа: 
srdjan.veselinov
Name of the original: 
Зидно огледало
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
Sugar bowl
English
Description: 
This ​​silver sugar bowl with lid was made in one of german manufactories. It belongs to the period of late historicism, with elegant moldings indicating the neoclassical models. These bowls were usually part of a larger service for tea and coffee.
State of origin of the cult. artefact: 
Germany
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic.
Copyright: 
City Museum of Novi Sad
Epoch: 
Material: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
The silver goblet
English
Description: 
A bell shaped silver goblet, originated from around 1900 in the workshop of Antipas Ivanov Kuzmic, Moscow jeweler. Cleated and gilded inside, this goblet is decorated with narrow ranges, typical of the style of late historicism, and partly secession.
Place of origin of the cult. artefact: 
Moscow
State of origin of the cult. artefact: 
Russia
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic.
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Material: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Власник записа: 
srdjan.veselinov
Year of creation: 
1900
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
The trophy lyra
English
Description: 
Silver and gold-plated lyra is a gift acknowledgment of King Alexander Karadjordjević to, once excellent, Women's Singing Society from Novi Sad for their achievements in European competitions between the two world wars. The leader of the association, Ms. Milica Moc, otherwise known as the doyen of musical life in Novi Sad, has kept this lira and donated it to the City Museum in commemoration as a kind of homage to the rich musical history of our city.
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Material: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia
Title: 
Turntable
English
Description: 
In a small collection of exposed turntable, a piece of the brand "Zonofon" (Zonophone) stands out with its decorativeness and size, made in Germany around 1900. Pear-shaped trumpet is painted blue inside and decorated with floral bouquets. These turntables became obligatory musical props in Novi Sad pubs and wealthy civil houses in the early 20th century.
State of origin of the cult. artefact: 
Germany
History: 
Part of the permanent exhibition of the City Museum of Novi Sad, under the supervision of the museum advisor, art historian, Ljiljana Lazic
Copyright: 
City Museum of Novi Sad
Creator: 
Srdjan Veselinov
Material: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1900
Municipality: 
Novi Sad
Region: 
Vojvodina
Country: 
Serbia

The Coppersmith

Period: 

This is one of the most ancient crafts in Serbia, dating back more than five centuries. Products in this tradition include coppersmith’s vessels and other copper items. The word kazan (meaning: caldron) is of Turkish origin. It is believed copper vessels were first produced. The craft reached its peak in the ancient civilizations of India and Persia, where mines abundant in copper existed Copper vessels were widely used in urban and rural areas. Given its solidness and durability such vessels enabled heating and preparation of food on the open hearth. The guild of coppersmith was the first craft association which gave opportunity to these craftspeople to trade copper, tin and other coppersmith products.

The Serbian towns Pirot, Nis and Prizren were once big coppersmith centers. Today copper products can still be found in Valjevo, Belgrade, Novi Sad, Leskovac and Vranje. In the coppersmith’s workshop there are various utensils, for instance mallets, anvils, tongs, files, bellows and so on. Copper was supplied in its raw material state and melted in stoves. After that, workers stretched the copper with heavy mallets into the plates. This craft shared the same destiny of the majority of other traditional crafts in Serbia. Once upon a time this highly estimated craft died out with the pace of industrialization in the second half of XX century. Today the remaining coppersmiths produce vessels for refining brandy, vessels for melting lard and stewing linen and clothes, sprinklers for vineyards, and kettles, among other things.

It seems that this craft will survive as long as there is domestic production of brandy in Serbia.

 

Material: 

Engraving

Title: 
Гравер
Period: 

Engraving is the practice of incising a design onto a hard, usually flat surface, by cutting grooves into it. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called engravings.
Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the technique, is much less common in printmaking, where it has been largely replaced by etching and other techniques.
Traditional engraving, by burin or with the use of machines, continues to be practiced by goldsmiths, glass engravers, gunsmiths and others, while modern industrial techniques such as photoengraving and laser engraving have many important applications.
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except for banknotes and other forms of security printing. Especially in the past, "engraving" was often used very loosely to cover several printmaking techniques, so that many so-called engravings were in fact produced by totally different techniques, such as etching or mezzotint.
Each graver is different and has its own use. Engravers use a hardened steel tool called a burin, or graver, to cut the design into the surface, most traditionally a copper plate. However, modern hand engraving artists use burins or gravers to cut a variety of metals such as silver, nickel, steel, brass, gold, titanium, and more. Dies used in mass production of molded parts are sometimes hand engraved to add special touches or certain information such as part numbers.
In addition to hand engraving, there are engraving machines that require less human finesse and are not directly controlled by hand. They are usually used for lettering, using a pantographic system. There are versions for the insides of rings and also the outsides of larger pieces. Such machines are commonly used for inscriptions on rings, lockets and presentation pieces.

 

Source: Wikipedia

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