Lavishly wall mirror is made in the style of the second rococo, most likely in a Czech shop. On the wide frame with curved lines, numerous flakes of colorless cut glass were applied and flat glass panels of the mirror were engraved with rococo cartouche. This extremely luxurious item could be found in the wealthy aristocratic civil households in Vojvodina.

Furniture in the so-called. Second Rococo style was typical of the fourth and fifth decade of the 19th century in Central European art. It arrived with some delay to Novi Sad, as well as in other provincial regions of the Habsburg monarchy. It was an eclectic style that borrows elements and copies of furniture from the 18th century and adapts them to new tastes. The legs of chairs and tables are distorted, carvings appear and machining becomes more common.

In the mid19th century, with the growing popularity of the style second rococo, large and luxurious mirrors re-enter the fashion. Like century ago, carved frames are richly gilded, thus these items have become very luxurious interior details. Such mirrors were affordable only to the wealthy families and decorated their showrooms and lobbies.

One of the most representative works of the religious character of in the museum collection is a cross with a representation of the Crucifixion of Christ. It originates from the top of the iconostasis of the chapel choir of the Orthodox Cathedral of Sremski Karlovci, and the work of one of the most important Serbian painters of the 18th century - Teodor Dimitrijevic Kracun. Based on the style and manner of the painting, it could be said that this work comes from the best period of his creativity. Floral carvings of the cross, in the rococo style, were done by the famous woodcarver from Novi Sad Arsenije Markovic, whose workshop at that time was the most active workshop in Vojvodina.