He was a Serbian architect and academician of SASA and Professor of Architecture, one of the best architects in post-war Yugoslavia.

He studied architecture in Belgrade from 1945 to 1950. He first worked in Jugoprojekt, and in 1957 he started working in the Faculty of Architecture in Belgrade, first as an assistant and since 1973 as a full professor. He was a corresponding member of the Serbian Academy of Sciences since 1976 and full time since 1983. His works are characterized by precision and clear illustrations.

He was a Serbian modernist architect, one of the leading architects of the early 20th century in Yugoslavia.

Zrenjanin: Serbian bank building, about 1920th, Sokolski dom, 1927.

Orlovat: Church of the Presentation of Mary, 1924-1927.

Novi Sad: Workers' Association, 1931. Banovina building, (now the Executive Council of Vojvodina), 1939. Main Post Office, 1961.

Belgrade: The Museum of Nikola Tesla building, 1932. The State Printing building (later BIGZ building), 1934-1941. Command of the Air Force Zemun, 1939. Hotel Metropol, 1953. Several buildings built in the 1930s (Francuska no. 5, Liberation Blvd. No.2, Boulevard of Despot Stefan no. 8, etc.).

Jagodina: Apartment blocks of Cable Factory Svetozarevo (FX), built in the late 1950s

Barselona: Serbian, Croatian and Slovene Pavilion for the 1929 Barcelona International Exposition. Was with the Barcelona Pavilion of Mies van der Rohe and the Swedish Pavilion of Peder Clason the only examples of avant-garde architecture. The building, demolished after the exposition, had the shape of an irregular star and the façade had no ornamental elements as the other historicist pavilions.

Tabakovic Vojvodina came from a family that significant place in the history of Serbian art. Many predecessors Đorđe Tabakovic were painters, and architects. His brother Ivan Tabakovic also became a painter and later as a professor at the Belgrade Academy of Art. Đorđe grew up in Arad , where he attended both elementary school and high school . He studied architecture as in Budapest , and in Belgrade . Then he lived for some time in Paris and in Arad and eventually moved to Novi Sad , which became the rest of his life his home. Tabakovic soon proved right novosadská architect and designed over 50 projects of various complexity, from small villas to large palaces. As one of the few Serbian architects was - thanks mainly to his residence in foreign countries (mainly France  ) - influenced by European influences then functionalist architecture. Since 1930 began to design buildings that this fully confirmed. With the austere lines and spacious windows was their construction on the one hand much less expensive than in the case of other buildings, as well the interior spaces appropriately backlight and sunny. His most famous building, which is located in the center of Novi Sad is Tanurdžićův palace . In addition, proposed the building of Novi Sad Youth in Trade ( 1931 ), Palace Klajn, Sokol house (today's youth theater) and some other places. In Zrenjanin , in his proposals implemented Exchange building work and the Children's House.

During World War II continues to actively considered several buildings. After the war, he decided to abandon this activity; became a professor at the School of Art, devoted to photography, design and published various essays. He proposed internal layout of the theater in Zrenjanin and Novi Sad central post office. He died in 1971 in Novi Sad.

Since 1994 Novosadská Society of Architects awarded annually Tabakovićovu prize for architecture eminent persons who have contributed to the development of the city.

Bogdanović was born into a family of leftist intellectuals. His father Milan was a literary critic, president of the Union of Writers and director of the National Theatre.Beginning in 1940, Bogdan studied architecture at the University of Belgrade. He participated in World War II ("a bit" in his words) as a partisan, becoming a member of the Communist Party, and was seriously wounded in eastern Bosnia. Despite his injuries, he continued his academic career with his graduation (1950), as a teaching assistant at the department for urbanism (from 1953), later docent (1960), extraordinary professor and president of the Yugoslavian Union of Architects (1964), dean of the faculty of architecture and corresponding member of the Serbian Academy of Sciences and Arts (1970), and full professor (1973). In 1981 he left the Academy, and he was conferred emeritus status in 1987.

Being an ardent leftist, Bogdanović opposed the increasing nationalism among the state leaders.Nonetheless, he became mayor of Belgrade in 1982 on the initiative of Ivan Stambolić, who was Chairman of the League of Communists of Serbia at the time. He stayed in office for one term, until 1986. During this time, he organised an international competition for the complete rebuilding of New Belgrade. All submissions to this competition have disappeared.

After his term of office, he was appointed by Milošević as a member of the Central Committee of the League of Communists of Yugoslavia. He accepted under the condition that he would not attend the meetings because he "had more important things to do".In the following year he sent Milošević an anti-nationalist letter of over 60 pages, containing a Stalino-dictionary satirising the recipient's nationalist diction, and the famous lamentation for Serbia on the theme of "Serbia is tired" (of its leaders). The Central Committee replied, "You can send the letter, in which you criticise the work of the eighth meeting and which has not reached us, to the Central Committee if you consider it necessary".The letter, in combination with other remarks about Milošević, led to attempts of breaking into Bogdanović's apartment, threats of lynching, and his exclusion from the Central Committee.These aggressions, however, did not prevent him from renewing his anti-nationalist statements when the Yugoslav wars started at the beginning of the 1990s, once more arousing violent attacks and a campaign by the state media.
In 1993 Bogdanović went into exile to Paris with his wife Ksenija. The Yugoslavian emigrant circle there had strong nationalistic tendencies,which led the couple to move on to Vienna following an invitation of his friend. Bogdanović died in a hospital in Vienna on 18 June 2010, following a heart attack.

In 1850, Molnar as a citizen of Novi Sad raises his house on Trifković Square that exists today. Already in the first decade after the uprising, Molnar has built dozens of rise and storey houses in the city center. Molnar will raise several important urban facilities: hospitals (1867-1871), Serbian elementary school (1871-1874), Civic Hall, the first building of the SNP (1871), the City slaughterhouse (1882). Today there is only Miletićeva school in the churchyard of Nikolajevska Church. During the last decade of the nineteenth century Molnar designed and built his lives' work, also the most valuable urban buildings from the end of the century: the City Hall (1893-1895) and the Catholic Church (1892-1895). Both buildings were built in ornate eclectic style; Townhouse in Neo-Renaissance and the Catholic Church in neo-Gothic style. Molnar was, among other things, co-owner of the factory for production of building materials, longtime president of the Novi Sad Craft Association and a member of several committees for the building. His buildings are characterized by solid technical performance and simple, eclectic style, typical of the architecture of the southern provinces.

He was born in 1835. in Hungary and died 11. August 1891. in Belgrade. Bugarski was an architect. He studied architecture in Budapest. Bugarski' s works where representatives from renaissance to neoclassicism.