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In the early forties of the eighteenth century. ( The exact date of birth and death are not defined)
Biography:
Vasiljevich firstly resides in Petrovaradin, the center of Eparchy of Bačka, and upon the invitation of The Patriarch Arsenije IV Jovanovich, he arrives to Sremski Karlovci, Metropolitan headquarters, where he founded a school of painting. Patriarch Jovanovich declared a circular banning the work of ignorant painters after Jov's arrival. By that, the art practice of Jov Vasiljevich, his " Doctrine of icon painting of Arts", has been declared the official art of The Metropolitanate of Karlovci .
Teodor Krachun was born at Sremska Kamenica in 1730. His original surname was Dimitrijević, but later the nickname "Kračun" stuck. He studied art under Dimitrije Bačević, a well-known Serbian icon and portrait painter, before taking monastic vows and entering the Vienna Academy in 1769. During his lifetime Kračun produced numerous icons and altarpieces that are still extant today in Serbian Orthodox and Roman Catholic churches and cathedrals throughout the Serbian province of Vojvodina, and the Banat of both Romania and Serbia.
The acknowledged master of the Baroque period, considered the first great modern Serbian painter, was Teodor Kračun. His contemporaries were Dimitrije Popović, another student of Dimitrije Bačević, Jakov Orfelin, and others. Kračun died at Sremski Karlovci on the 10th of April 1781. Teodor Dimitrijević Kračun is considered the most renowned of the Baroque and Rococo painting style in North Serbia.
Built in 1808. and designed by architect George Efinger, this buildings represents one of the most valuable architectural works in the era of transition from baroque to classicism, mainly because there is a very small number of fully preserved objects built before 1849.