Music

Name: 
Sonate no. 4,5,6 for violin and harpsichord
English
Description: 

Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque period. He enriched many established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Mass in B minor, the The Well-Tempered Clavier, his cantatas, chorales, partitas, Passions, and organ works. His music is revered for its intellectual depth, technical command, and artistic beauty.
Bach was born in Eisenach, Saxe-Eisenach, into a very musical family; his father, Johann Ambrosius Bach, was the director of the town musicians, and all of his uncles were professional musicians. His father taught him to play violin and harpsichord, and his brother, Johann Christoph Bach, taught him the clavichord and exposed him to much contemporary music.Bach also went to St Michael's School in Lüneburg because of his singing skills. After graduating, he held several musical posts across Germany: he served as Kapellmeister (director of music) to Leopold, Prince of Anhalt-Köthen, Cantor of Thomasschule in Leipzig, and Royal Court Composer to August III.Bach's health and vision declined in 1749, and he died on 28 July 1750. Modern historians believe that his death was caused by a combination of stroke and pneumonia.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque period, and as one of the greatest composers of all time.

The Sonatas and Partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are also called the Sonatas and Partias for solo violin, in accordance with Bach's original terms: "Partia" was common in German-speaking regions during Bach's time, whereas the Italian "Partita" was introduced to this set in the 1879 Bach Gesellschaft edition, having become standard at that time. The set consists of three sonatas da chiesa, in four movements, and three partitas (or partias), in dance-form movements.

Copyright: 
MELODIA RECORD COMPANY, USSR 1987.
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Year of creation: 
1720
Period: 
Music
Style: 
Baroque
Author: 
Johann Sebastian Bach
Name: 
Liturgy of st. Јohn Chrysostom
English
Description: 

Sergei Vasilievich Rachmaninoff (1 April 1873 – 28 March 1943) was a Russian-born composer, pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music.
Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a personal style notable for its song-like melodicism, expressiveness and his use of rich orchestral colors. The piano is featured prominently in Rachmaninoff's compositional output, and through his own skills as a performer he explored the expressive possibilities of the instrument.

Liturgy of St John Chrysostom, Op. 31, is a musical work by Sergei Rachmaninoff, one of his two major unaccompanied choral works (the other being his All-Night Vigil). The Divine Liturgy of St. John Chrysostom is the primary worship service of the Eastern Orthodox Church.

Copyright: 
МЕLODIA RECORD COMPANY, USSR, 1990.
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Period: 
Music
Style: 
Romantic
Author: 
Sergei Rachmaninoff
Year of publication: 
1990
Name: 
Concerto in d minor for oboe Op. 9 br.2
English
Description: 

Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian Baroque composer. While famous in his day as an opera composer, he is mainly remembered today for his instrumental music, such as the concertos, some of which are regularly recorded.
Born in Venice, Republic of Venice, to Antonio Albinoni, a wealthy paper merchant in Venice, he studied violin and singing. Relatively little is known about his life, especially considering his contemporary stature as a composer, and the comparatively well-documented period in which he lived. In 1694 he dedicated his Opus 1 to the fellow-Venetian, Cardinal Pietro Ottoboni (grand-nephew of Pope Alexander VIII); Ottoboni was an important patron in Rome of other composers, such as Arcangelo Corelli. His first opera, Zenobia, regina de Palmireni, was produced in Venice in 1694. Albinoni was possibly employed in 1700 as a violinist to Charles IV, Duke of Mantua, to whom he dedicated his Opus 2 collection of instrumental pieces. In 1701 he wrote his hugely popular suites Opus 3, and dedicated that collection to Cosimo III de' Medici, Grand Duke of Tuscany.
In 1705, he was married; Antonino Biffi, the maestro di cappella of San Marco was a witness, and evidently was a friend of Albinoni's. Albinoni seems to have no other connection with that primary musical establishment in Venice, however, and achieved his early fame as an opera composer at many cities in Italy, including Venice, Genoa, Bologna, Mantua, Udine, Piacenza, and Naples. During this time he was also composing instrumental music in abundance: prior to 1705, he mostly wrote trio sonatas and violin concertos, but between then and 1719 he wrote solo sonatas and concertos for oboe.
Unlike most composers of his time, he appears never to have sought a post at either a church or noble court, but then he was a man of independent means and had the option to compose music independently. In 1722, Maximilian II Emanuel, Elector of Bavaria, to whom Albinoni had dedicated a set of twelve concertos, invited him to direct two of his operas in Munich.
Around 1740, a collection of Albinoni's violin sonatas was published in France as a posthumous work, and scholars long presumed that meant that Albinoni had died by that time.

The most famous piece from Albinoni's Opus 9 is the Concerto in D minor for oboe (Opus 9, Number 2). It is known for its slow movement. This concerto is probably the second best-known work of Albinoni after the Adagio in G minor (which was once believed to be a reconstruction based on a fragment by Albinoni).

Copyright: 
RTB STEREO/SOKOJ, 1991.
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Year of creation: 
1717
Period: 
Music
Author: 
Tomaso Albinoni
Year of publication: 
1991
Name: 
Piano Concerto No. 11 in D major
English
Description: 

Franz Joseph Haydn (31 March 1732 – 31 May 1809), known as Joseph Haydn, was an Austrian composer, one of the most prolific and prominent of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms. He was also instrumental in the development of the piano trio and in the evolution of sonata form.
A lifelong resident of Austria, Haydn spent much of his career as a court musician for the wealthy Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".[6] At the time of his death, he was one of the most celebrated composers in Europe.
Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor.

Joseph Haydn's PianoConcerto No. 11 in D major was written between 1780 and 1783. It was originally composed for harpsichord or fortepiano and scored for an orchestra in a relatively undeveloped galant style evident in his early works, and has a lively Hungarian Rondo finale. On the other hand, being a somewhat later composition, it also shows more similarities to Mozart's piano concertos than do Haydn's other keyboard concertos. It consists of three movements:

Vivace
Un poco adagio
Rondo all'Ungarese

Copyright: 
RTB STEREO/SOKOJ, 1991.
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Year of creation: 
1783
Period: 
Music
Style: 
Classical
Author: 
Joseph Haydn
Year of publication: 
1991
Name: 
Magdaléna Hajóssyová
English
Description: 

Magdaléna Hajóssyová (born 25 July 1946, Bratislava) is a renowned classical Slovak soprano who has had an active international career singing in operas, concerts, and recitals since the late 1960s. She has been particularly active at the Prague State Opera where she has been a principal artist since 1972. She has also had a long and fruitful partnership with the Berlin State Opera beginning in 1975. In 1977, 1981, and 1987, she won the Berlin Critic's Prize for her portrayal of the roles of Margarete in Charles Gounod's Faust, the title roles in Richard Strauss's Elektra, Carl Maria von Weber's Euryanthe, and Christoph Willibald Gluck's Iphigénie en Aulide.
In 1974 Hajóssyová was a recipient of the Slovak Culture Prize and in 2003 she was awarded the Rad Bieleho Prize by the Government of Slovakia for her work in performing and popularizing Slovak music on the international stage. She has also been awarded the National Prize of the German Democratic Republic and the J.W. Goethe Award. She is currently the chair of the vocal music department at the Academy of Performing Arts in Prague. Several of her students have gone on to have successful careers, including Anda-Louise Bogza.

Robert Schumann (June 8, 1810 - July 29, 1856) was a German Romantic composer.
Respected music critic and founder of the magazine, is now regarded as a representative of musical Romanticism. He composed among others piano music, songs and church music.
Johan Brahms (May 7, 1833 - April 3, 1897) was a German composer. One of the representatives of late Romanticism, was an accomplished pianist and composer.
Richard Strauss (June 11, 1864 - September 8, 1949) was a German composer and conductor. It is considered the last great German romantics. He is known for his symphonic poems and operas.

 

Creation Date оf arch. document: 
Friday, October 11, 2013
Copyright: 
Digital recording, OPUS 1986.
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Period: 
Music
Style: 
Romantic
Author: 
Schumann, Brahms and Strauss
Year of publication: 
1986
Name: 
Carmina Burana
English
Description: 

Carmina Burana is the name given to a manuscript of 254 poems and dramatic texts mostly from the 11th or 12th century, although some are from the 13th century. The pieces are mostly bawdy, irreverent, and satirical; they were written principally in Medieval Latin; a few in Middle High German, and some with traces of Old French or Provençal. Some are macaronic, a mixture of Latin and German or French vernacular.
They were written by students and clergy when the Latin idiom was the lingua franca across Italy and western Europe for travelling scholars, universities and theologians. Most of the poems and songs appear to be the work of Goliards, clergy (mostly students) who set up and satirized the Catholic Church. The collection preserves the works of a number of poets, including Peter of Blois, Walter of Châtillon and an anonymous poet, referred to as the Archpoet.
The collection was found in 1803 in the Benedictine monastery of Benediktbeuern, Bavaria, and is now housed in the Bavarian State Library in Munich. Along with the Carmina Cantabrigiensia, the Carmina Burana is the most important collection of Goliard and vagabond songs.
The manuscripts reflect an "international" European movement, with songs originating from Occitania, France, England, Scotland, Aragon, Castile and the Holy Roman Empire.
Twenty-four poems in Carmina Burana were set to music by Carl Orff in 1936; Orff's composition quickly became popular and a staple piece of the classical music repertoire. The opening and closing movement, "O Fortuna", has been used in numerous films.

Copyright: 
STEREO SOKOJ/SUMAJ, 1987.
Date of records creation : 
Tuesday, October 15, 2013
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Year of creation: 
1936
Period: 
Music
Author: 
Carl Orff
Year of publication: 
1987
Name: 
Symphony no.82 in C-major
English
Description: 

Franz Joseph Haydn (31 March 1732 – 31 May 1809), known as Joseph Haydn,was an Austrian composer, one of the most prolific and prominent of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms. He was also instrumental in the development of the piano trio and in the evolution of sonata form.
A lifelong resident of Austria, Haydn spent much of his career as a court musician for the wealthy Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".At the time of his death, he was one of the most celebrated composers in Europe.

The Symphony No. 82 in C major, is the first of the so-called six Paris Symphonies (numbers 82-87) written by Joseph Haydn. It is popularly known as the Bear Symphony.

Copyright: 
Digital Mastering OPUS, 1982.
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Year of creation: 
1786
Period: 
Music
Style: 
Classical
Author: 
Joseph Haydn
Year of publication: 
1982
Name: 
Symphony No. 83 in g minor
English
Description: 

Franz Joseph Haydn (31 March 1732 – 31 May 1809), known as Joseph Haydn,was an Austrian composer, one of the most prolific and prominent of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms. He was also instrumental in the development of the piano trio and in the evolution of sonata form.
A lifelong resident of Austria, Haydn spent much of his career as a court musician for the wealthy Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original".At the time of his death, he was one of the most celebrated composers in Europe.

The Symphony No. 83 in G minor, is the second of the six so-called Paris Symphonies (numbers 82-87) written by Joseph Haydn in 1785 and it was published by Artaria in Vienna in December 1787. It is popularly known as The Hen.

Copyright: 
Digital Mastering OPUS, 1982.
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Year of creation: 
1785
Period: 
Music
Style: 
Classical
Author: 
Joseph Haydn
Year of publication: 
1982
Name: 
Scandinavian String Music
English
Description: 

Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions put the music of Norway in the international spectrum, as well as helping develop a national identity.

Carl August Nielsen (9 June 1865 – 3 October 1931) is widely recognized as Denmark's greatest composer, and is also recognized as being a skilled conductor and a violinist.Brought up by poor but musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age. While it was some time before his works were fully appreciated, even in his home country, Nielsen has now firmly entered the international repertoire.Especially in Europe and the United States, Nielsen's music is ever more frequently performed, with interest growing in other countries as well.Carl Nielsen is especially admired for his six symphonies, his Wind Quintet and his concertos for violin, flute and clarinet. In Denmark, his opera Maskarade and a considerable number of his songs have become an integral part of the national heritage.While his early music was inspired by composers such as Brahms and Grieg, he soon started to develop his own style, first experimenting with progressive tonality and later diverging even more radically from the standards of composition still common at the time.

Johan Severin Svendsen (30 September 1840 – 14 June 1911) was a Norwegian composer, conductor and violinist. Born in Christiania (now Oslo), Norway, he lived most his life in Copenhagen, Denmark. Svendsen's output includes two symphonies, a violin concerto, a cello concerto, and the Romance for violin, as well as a number of Norwegian Rhapsodies for orchestra. At one time Svendsen was an intimate friend of the German composer Richard Wagner.

Dag Ivar Wirén (15 October 1905 – 19 April 1986) was a Swedish composer. Wirén studied at the Stockholm conservatory.

Creation Date оf arch. document: 
Tuesday, October 15, 2013
Copyright: 
Naxos Records,1995.
Date of records creation : 
Tuesday, October 15, 2013
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Year of creation: 
2000
Period: 
Music
Style: 
Romantic
Author: 
Grieg, Nielsen,Svendsen,Wiren
Name: 
Beethoven violin concerto and Ј.S. Bаch Prelude from partita no. 3, Allegro assai from sonate no.3
English
Description: 

Ludwig van Beethoven's Violin Concerto in D major, Op. 61, was written in 1806.
The work was premiered on 23 December 1806 in the Theater an der Wien in Vienna. Beethoven wrote the concerto for his colleague Franz Clement, a leading violinist of the day, who had earlier given him helpful advice on his opera Fidelio. The occasion was a benefit concert for Clement. However, the first printed edition (1808) was dedicated to Beethoven’s friend Stephan von Breuning.
It is believed that Beethoven finished the solo part so late that Clement had to sight-read part of his performance. Perhaps to express his annoyance, or to show what he could do when he had time to prepare, Clement is said to have interrupted the concerto between the first and second movements with a solo composition of his own, played on one string of the violin held upside down;however, other sources claim that he did play such a piece but only at the end of the program.
The premiere was not a success, and the concerto was little performed in the following decades.
The work was revived in 1844, well after Beethoven's death, with performances by the then 12-year-old violinist Joseph Joachim with the orchestra conducted by Felix Mendelssohn. Ever since, it has been one of the most important works of the violin concerto repertoire, and it is frequently performed and recorded today.

The Partita No. 3 in E major BWV 1006 by Johann Sebastian Bach for solo violin is the last work in the set of Six Sonatas and Partitas. It consists of the following movements:

Preludio
Loure
Gavotte en Rondeau
Menuets (I and II)
Bourrée
Giga

It takes approximately 20 minutes to perform.

Creation Date оf arch. document: 
Tuesday, October 15, 2013
Copyright: 
S.L. TEIC
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Concert
Year of creation: 
2013
Period: 
Music
Style: 
Classical
Author: 
Ludwig van Beethoven and J.S. Bach

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