Museum of Vojvodina

More than a century and a half had passed when The Museum of the Serbian National Collection was established at the session of Matica Srpska held in October 1847 in Budapest. The Museum of Vojvodina continues its tradition today. Sava Tekelija left his rich legacy to Matica srpska out of which the first museum collection was formed. The Museum of Matica Srpska was opened to the public for the first time in 1933. After World War II, a part of material was singled out, and in 1947 the Museum of Vojvodina was established, as a complex museum, with numerous collections from archaeology, ethnology, history, art history, yoology, botany, geology-palaeontology and mineralogy-petrography. The following institution for the protection of culture and nature were formed under the auspices of the Museum of Vojvodina: The Museum of Labour Movement and National Revolution, The City Museum of Novi Sad, The provincial Institute for the Protection of Cultural Monuments, The Provincial Institute for the Protection of Nature, The Theatre and Agricultural Museum of Vojvodina. The Museum of Labour Movement and National Revolution was established in 1956 and later transformed first into the Museum of the Socialistic Revolution, and then, into the Museum of the Socialistic Revolution, and then, into The Historical Museum of Vojvodina. It is located in specifically constructed building, which was designed by architect Ivo Vitić in 1959. In 1992 the Museum of Vojvodina joined the Historical Museum of Vojvodina to become the unique institution called The Museum of Vojvodina.

Today, this institution consists of many branches, and has a rich museum collection of around 400,000 pieces and a library collection of over 50,000 publications. A regular museum publication called The Work of The Museum of Vojvodina, originally called The Work of Vojvodian Museums, was published since 1952 until 1994. The Museum of Vojvodina acquired the appropriate facilities in 1974 when it moved into the former justice court, built in 1896 by the Budapest architect Gyula Wagner.

 

The Museum of Vojvodina opened its extensive permanent exhibition to the public, presenting the constant development of eight thousand years of human society on the present territory of Vojvodina. 6,000 representative exhibits from archaeology (from the Palaeolithic period up to the antique), general history and art history (from the XV century until the second half of the XX century) and ethnology are all presented in the area of 3,000 square meters. The permanent exhibition offers a comprehensive picture of this area’s millennial past. The exhibited pieces demonstrate the duration of human communities and cultures from the Palaeolithic and Mesolithic periods up to the first traces of humans near Irig which date back around 70,000 years ago. They also show Strarčevo, Vinča and other Neolithic cultures and cultures from Feudvar site, Kalača site and various layers of Gomolava site. Some items also date from the mythical periods of ancient Greece while some are representative of the beautiful monuments of the Roman Empire. The exhibit also includes cultural artefacts dating from the migrations of nations and replacements of ethnic communities – the Slavs, Hungarians, Serbians, and other nations. The second half of the permanent exhibition, which illustrates Vojvodina’s past from mid XIX century until mid XX century, is housed at the Historical Museum.

 

Numerous pieces could be pointed out as rare and representative, but for decades two pieces have been singled out as the Museum’s trademark: two Roman parade helmets from Berkasovo, which are unique examples of their kind throughout Europe.

Annexes were created in order to establish diversified museum network – the exhibition of period furniture at Dunđerski castle in Čelarevo, ethno-house “Brvnara” (“Log Cabin”) in Bački Jarak, and Press Museum in Novi Sad, located in the house where the first issue of Slobodna Vojvodina, antecendent of Dnevnik newspaper, was printed in 1942. Since 2004, the Museum also includes Agricultural Collection in Kulpin. Numerous permanent exhibitions have also been displayed – pedagogical exhibition at School J. J. Zmaj, Novi Sad, memorial exhibition of Jovan Rajić (1726-1801), a historian and writer at Kovilj monastery, the one dedicated to the world known scientist Mihajlo Pupin (1850-1935) in Idvor, the Homeland Museum in Čerević, museum exhibitions in Ruski Krstur and Hrtkovci, the home of Miloš Crnjanski (1893-1977) and library in Csongrad (Hungary), the home of Dositej Obradović (1740-1811) in Čakovo (Romania), the home of Sava Tekelija in Arad (Romania), and the Museum of the Batina Battle.

The Museum of Vojvodina performs operations of its basic activity for all institutions of movable culture property protection, museums, galleries, and collections in Vojvodina territory, i.e. the supervision of their professional activity.

Address: 
Image: 
Title: 
Trees II: Upright Branches
English
Author: 
Description: 
Part of the exhibition "Henry Moore" Museum of Vojvodina.
State of origin of the cult. artefact: 
United Kingdom
Date of records creation : 
Wednesday, October 21, 2015
Technique: 
Material: 
Formats of digital document: 
Images: 
Year of creation: 
1979
Name of the original: 
Trees II: Upright Branches
Place of the location: 
Serbia
45° 14' 58.794" N, 19° 50' 12.642" E
Institution: 
Title: 
Trees: Bole and Creeper
English
Author: 
State of origin of the cult. artefact: 
United Kingdom
Date of records creation : 
Wednesday, October 21, 2015
Technique: 
Material: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1979
Name of the original: 
Trees: Bole and Creeper
Place of the location: 
Serbia
45° 14' 58.794" N, 19° 50' 12.642" E
Institution: 
Title: 
Four reclining figures
English
Author: 
Description: 
Part of the exhibition "Henry Moore" Museum of Vojvodina.
State of origin of the cult. artefact: 
United Kingdom
Date of records creation : 
Wednesday, October 21, 2015
Material: 
Formats of digital document: 
Images: 
Year of creation: 
1973
Name of the original: 
Four reclining figures
Place of the location: 
Serbia
45° 14' 58.794" N, 19° 50' 12.642" E
Institution: 
Title: 
Four silhouette figures
English
Author: 
Description: 
Part of the exhibition "Henry Moore" Museum of Vojvodina.
State of origin of the cult. artefact: 
United Kingdom
Date of records creation : 
Wednesday, October 21, 2015
Material: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1973
Name of the original: 
Four silhouette figures
Place of the location: 
Serbia
45° 14' 58.794" N, 19° 50' 12.642" E
Institution: 
Title: 
Bison
English
Author: 
Description: 
Part of the exhibition "Henry Moore" Museum of Vojvodina.
State of origin of the cult. artefact: 
United Kingdom
Date of records creation : 
Tuesday, October 20, 2015
Technique: 
Material: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1982
Name of the original: 
Bison
Place of the location: 
Serbia
45° 14' 58.794" N, 19° 50' 12.642" E
Institution: 
Period: 
Title: 
Antilope
English
Author: 
Description: 
Part of the exhibition "Henry Moore" Museum of Vojvodina.
State of origin of the cult. artefact: 
United Kingdom
Date of records creation : 
Tuesday, October 20, 2015
Technique: 
Material: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1981
Name of the original: 
Antilope
Place of the location: 
Serbia
45° 14' 58.794" N, 19° 50' 12.642" E
Institution: 
Period: 
Title: 
Nude
English
Author: 
Description: 
Part of the exhibition "Henry Moore" Museum of Vojvodina.
State of origin of the cult. artefact: 
United Kingdom
Date of records creation : 
Tuesday, October 20, 2015
Technique: 
Material: 
Type of cultural artefact: 
Formats of digital document: 
Images: 
Year of creation: 
1974
Name of the original: 
Nude
Place of the location: 
Serbia
45° 14' 58.794" N, 19° 50' 12.642" E
Institution: 
Period: 
English
Images: 
AddThis: 
Source: 

Wikipedia

Category: 
Personal information: 
Henri Mur (eng. Henry Moore; Kaslford, 30. jul 1898 — Mač Hedam, 31. avgust 1986) je bio britanski vajar. Njegove skulpture nalaze se na mnogim javnim mestima, kao što su zgrada UNESKO u Parizu i centar „Linkoln“ u Njujorku.
Date of birth: 
Saturday, July 30, 1898
Place of birth and location: 
Castleford
United Kingdom
53° 43' 20.9316" N, 1° 20' 44.8692" W
Date of death: 
Sunday, August 31, 1986
Place of death and location : 
Much Hadham
United Kingdom
51° 44' 50.1144" N, 0° 19' 44.8752" W
Gender: 
Мушки
Institution: 
Year of birth: 
1898
Country of Birth: 
England
Title: 
Henry Moore
Title: 
Magazine Novi Sad 1928
Description: 
Editor was Dusan Čamprag. Magazine Novi Sad is the cultural, educational and economic overview of the Danube Banovina
Place of origin of the cult. artefact: 
Novi Sad
State of origin of the cult. artefact: 
Serbia
Copyright: 
Museum of Vojvodina
Printing: 
Printing place Dušan Čamprag i Drug, Novi Sad, Kralja Petra street no.3 , in the backyard.
Printing place: 
Novi Sad
Date of publication: 
01.07.1928.
Type of language of cultural artefact: 
Slavic
Material: 
Paper
Type of cultural artefact: 
Magazine
Formats of digital document: 
Image
Year of creation: 
1928
Institution: 
Period: 
Printing and publishing
Title: 
Magazine Novi Sad 1936
Description: 
Editor was Dusan Čamprag. Magazine Novi Sad is the cultural, educational and economic overview of the Danube Banovina
Place of origin of the cult. artefact: 
Novi Sad
State of origin of the cult. artefact: 
Serbia
Copyright: 
Museum of Vojvodina
Date of publication: 
07.01.1936.
Type of language of cultural artefact: 
Slavic
Formats of digital document: 
Image
Year of creation: 
1936
Institution: 
Period: 
Printing and publishing

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